RIP George

Sep. 23rd, 2022 09:43 pm
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Saddened to learn of the death of one of Northampton's great characters. I think I knew George since we moved to this town over a decade ago. He was one of the friendliest and gentlest of Northampton's cast of street people and even when I didn't have any spare change her was always happy to just talk for a few minutes. He's the third person largely living on the streets I've known in Northampton who has died (I'm hoping that the fourth has made good on his promise to move back to the North and that's why I haven't seen him in a while). It's nice that his death has made the local news; he was very much a part of the town, and he touched a lot of lives in a positive way. He'll be remembered for the simple reason that he was kind and gentle and I can't think of a better epitaph.

https://www.northamptonchron.co.uk/news/people/tributes-paid-to-well-known-northampton-homeless-man-who-sadly-died-this-week-3854903
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I had nothing personal against Elizabeth Windsor, I think she did her best in a fucking weird job she never asked for. I'm much more irritated by the people bowing and scraping to her (or bowing and scraping to anyone if I'm honest). Nonetheless my own personal imp of the perverse meant that I couldn't resist paying musical tribute to her in my own inimitable fashion. I originally wrote it as a kind of singer songwriter piece but it morphed into synthwave during the arrangement process and I quite like how it turned out. Yours to own as a treasured momento of our shared bank holiday for 50p.

https://malesperi.bandcamp.com/track/lament-for-elizabeth-windsor

Music

Aug. 23rd, 2022 12:11 pm
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I recently wrote an EP of electro folk murder ballads and it's out today. Four narrative songs of murder and mayhem by my own fair hand. It's free to own.

https://malesperi.bandcamp.com/album/bastard-man-of-ruin
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First semester at Aberdeen is over. I made the decision that I wasn't going to take any time off or ask for any extensions when my father died and just try and do the best I could. That meant the last two weeks of term were incredibly hard work as I scrabbled together four essays and one exam. They're all done now and that gives me plenty of time to scrabble together podcasting and writing commitments that I had allowed to lapse over the period. I'm hoping to get some actual relaxation in next week when I go up north to visit my mother and help go through dad's old things and get them usefully dispersed to where they can do some good.

It's been a good semester looking back. I've learned a fair amount and while I was busy at the start I didn't feel overwhelmed at any point, not even during that final desperate cramming. If there's one thing I've had practice doing it's trying to pull together academic work at the last minute. I can't say for certain what impact the study has had on my own personal faith but that will come through reflection over the next few months.

I also wrote a short RPG this week which always makes me feel good. It's about cyborgs soldiers coming back from the war and trying to do civilian things with guns for arms. It's quite bleak but also a bit satirical which I think is good fit for my writing style, especially when I'm writing quickly. Hoping to get a few prose stories finished while I'm away as well. If I don't keep my brain busy it just leaks all over the floor.
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I haven't released any new music in a while. It's not that I haven't been writing it's that nothing has quite made it over the line. I've been making music more for myself and my own peace of mind or, occasionally as a minor act of devotion. What drew me back was needing music to listen to while studying. That got me back into Dungeon Synth. Dungeon Synth evolved out of black metal, a form of dark ambient music made with a deliberately lo-fi aesthetic. It's classical music as imagined by people obsessed with Tolkein who don't really listen to classical music made using the most primitive of keyboard sounds. I found a nice emulated 80s Casio keyboard with an appropriately tinny sound, banged some reverb on it and tried to bash out four tracks. I worked quickly, trying to maintain a DIY punk approach to the music, a weird thing to do with slow moving ambient sounds but completely necessary for the right ambience. I did no mastering and very little finessing of the sound. The result is linked below. It's free to download and a reminder that I can still do melody if I want to, I just usually choose not to.

https://malesperi.bandcamp.com/album/where-graves-are-empty
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The Devil At The Cross

With foul and mutilated joy it sees
His broken body breathe its ragged last
And hang, a bloody pennant, from a mast
Of cruel wood; anticipating ecstasy.

Yet empty is the longed for victory.
Mirth dissipates, once thrilled by hellish pain
as the scourge tore open skin, meat, and vein
Or thorns impaled His brow in agony.

Is that a smile upon His murdered face
Besmirched with blood and sweat and noble tears?
How can a corpse so lightly wear disgrace?

The longed for revel has not crowned it king,
Prideful glee gives way to gnawing fear.
It cannot grasp the strength of suffering.

The nails that pierce His shattered hands and feet
Seem to pierce its being deep as iron spear
did Him made somehow mighty in defeat.
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Judas

Was it that he sought to turn back the clock
Return to the time before he walked
The land in thirst, among the barren stalks
Preaching repentance to the rain parched rocks

And small sullen crowds that crowed and jeered
So that he shook the dust from sandalled feet
And sloped on through fields of withered wheat
Cursing the sender he had once revered?

Did he believe His death would set him free
Erase the years spent in disciple’s toil
And retire from roaming Galilee?

Or was it destiny that made him plot
With Satan, humble saviour’s scheme to foil
Embracing hell that traitor’s kiss had bought?
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I have been expensively and expertly stabbed by a probable millionaire and now my leg doesn't hurt. Hooray for modern medicine.
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My father died a couple of days ago. He had been ill for some time. I wasn't there at the end because I have a severely herniated disk in my lower back pressing on the sciatic nerve. I have shooting pain pretty much constantly which becomes agonising at certain points. In particular sitting causes horrendous discomfort which has made travel impossible. So I wasn't able to see him before he died and I haven't been able to go up and support my mother. Thankfully my sister has really stepped up to the plate but it's been an incredibly frustrating as well as a sad time.

The NHS has been less than helpful. I have an appointment to see a surgeon in June with most surgeries happening within 41 weeks. Being crippled and in agony for most of a year doesn't really appeal and happily there's enough family resources to go private. I have seen a surgeon in Cambridge (the journey over was a nightmare) and I should be getting a quote and a time slot very soon. My hope is that I might be able to make longer journeys in time for my father's funeral.

It's been a rough week but I still consider myself fortunate because my mental health has been fairly solid. Dreadful though the pain is I'll take over depression. I might not have been able to see my father but I got to speak to him the day he died and I'm experiencing the full range of emotions associated with grief. Once I get my back fixed I'll be able to be useful to my family. That's not something that would be true of depressive episodes which are much more open ended.

All this is interfacing very badly with trying to do a degree but I've got a decent academic work ethic and thankfully I'm only in my first year so there's nothing too challenging involved. It's only because of my father's generosity that I'm studying at all, he pushed me to do another degree because he knew study is powerfully good for my mental health. I'll be living that legacy for a long time. Difficult times but times filled with gratitude as well, not least to Marcus who has been an absolute rock.

2021 then

Dec. 31st, 2021 12:14 pm
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I’m not entirely sure how I feel about 2021. I’m carefully insulated from the real world as much as humanly possible so my experience of 2021 is solipsistic in the extreme. I hear there was a nasty cold going round.

There’s been plenty of continuity. I’m still happily married to a nice man. I still have a cat who is Very Cat at all times. I still don’t have anything approximating to a real job. I’m still not a proper grown up.

I’ve probably written about 300,000 words this year across various projects. These have been a mixture of a novel, a few short stories, an adventure gamebook (available to anyone who backs me on patreon plug plug), about 18 episodes of my Fighting Fantasy podcast (Fantastic Fights), about 25 episodes of Bela Lugosi’s Shed, the horror podcast I do with my friend Rich. I’ve written a couple of songs, played a bunch of old video games, and painted quite a lot of toy soldiers. I do not struggle to fill my time.

I also got confirmed which was something that was supposed to happen just before the world turned upside down. That was a high point of my journey in faith so far but raised as many questions as it answered. I’m never comfortable where I am, my question is always what happens next? What next turns out to be a theology degree which begins in 2022. I wouldn’t feel as confident about being able to hack another degree if I hadn’t been able to do some Bible study with wildeabandon.

I also wound up on the PCC, serving at the altar a lot, and generally doing my bit to help keep the church as open and welcoming as possible, not an easy task when you have the natural welcoming energy of a serial killer mortician. Still, it made me feel like I was giving something back and helping keep an institution I value available for the people who depend on it.

I think overall I’ll look back on 2021 as another year. I’m rarely sentimental about the past or excited by the future but looking back and feeling broadly neutral about the last twelve months and somewhat optimistic about the next twelve months is probably a win on balance, at least personally.

Updates

Nov. 16th, 2021 04:26 pm
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Two faintly interesting things have happened to me recently.

1. I got to participate in a games jam. This games jam to be precise. https://www.bbc.co.uk/news/uk-england-northamptonshire-59152360 We’ve done the first session and I’ve done some additional writing before the second and final session on Monday. It’s been good fun and a welcome reminder that I can deal with people if there’s something sufficiently engaging on the table.

2. I’ve been accepted for a distance learning Theology degree with Aberdeen. This means, for the next three years at least, I won’t technically be a work shy layabout* I’ll be a full time student. Studying is usually good for my mental health so I’m hoping for a decent three year run of not feeling too terrible which would be nice.

*I will still totally be a work shy layabout

Update

Oct. 14th, 2021 10:20 am
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HJDoom: Fuck you I finished it! I wrote a role playing game about retro action cartoons and the rules fit on a single side of A4. It works! It fucking works!
Oliver: And is it marketable?
HJDoom: AHAHAHAHAHAHAHAHAHAHAHHAHAHAHAHAHA!

The End
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Interior. Day. HJDoom sits at a desk. He is alternately rolling dice and scribbling in a note book. Oliver enters.

Oliver: Whatcha doing?
HJDoom: Working. Leave me alone.
Oliver: Working. Right. Finishing the correction on that novel are you?
HJDoom: No. Other work.
Oliver: Right. Other work. You mean you're working on finishing the adventure game book you promised your patrons you would have done by Christmas.
HJDoom: Well, no. Not quite that. Similar though.
Oliver: Are you copy editing the roleplaying game about crazed religious zealots you wrote six months ago and haven't touched since you play tested it precisely once?
HJDoom: No. Different other work. Important work.
Oliver: I see. And what's this important work?
HJDoom: I'm writing a new game. It's going to be great.
Oliver: Is it?
HJDoom: Maybe not great. But good. And fun. Definitely not a complete waste of time.
Oliver: What is this amazing new game about?
HJDoom: I'm trying to write a system that will let you simulate TV cartoons from the 80s and early 90s. Everything from Teenage Mutant Ninja Turtles to Biker Mice from Mars. They've got underlying commonalities you see and I reckon I can create a simple system that will enable people to play their own games set in the Street Sharks universe just as easily as Captain Planet!
Oliver: You think there's a big untapped demand for a generic roleplaying system that will allow people to act out Bravestar fan fiction?
HJDoom: Not a big market as such...
Oliver: That's not even what you're really doing though is it.
HJDoom: Yes it is!
Oliver: Are you lying?
HJDoom: Lying is a bit strong. You could totally use the underlying structure as a generic system for modelling old action cartoons.
Oliver: But you're doing something a little more specific aren't you?
HJDoom: ...
Oliver: Sorry. I didn't catch that.
HJDoom: maybe..
Oliver: Is that maybe spelled 'He-Man RPG'?
HJDoom: It's not as stupid is as you're making out. Lots of people are nostalgic for the 80s. They've just done a new cartoon. Kevin Smith wrote it. Everyone's really cross.
Oliver: But that's not why you're doing it is it?
HJDoom: Not as such.
Oliver: You're just trying to create a theoretical model of the universe where a man having a slightly longer metal neck is as good as being able to fly.
HJDoom: Yes. That's exactly what I'm doing.
Oliver: And how long have you been doing that?
HJDoom: About eight hours on and off.
Oliver: And have you succeeded?
HJDoom: No. But I'm close. I can feel it. A roleplaying game where Mechaneck is a viable character is just around the corner.
Oliver: I'm beginning to understand why we're not millionaires.
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I was reading ‘The Man Who Was Thursday’ by G. K. Chesterton and saw a reference to a form of poetry I had not come across before, the triolet. I did a little digging and discovered that it’s a highly constrained poem with a strong emphasis on repetition. It consists eight lines of eight syllables, usually written in iambic tetrameter. The first, fourth, and seventh lines repeat as do the second and eighth lines in a ABaAabAB rhyme scheme with the capital letters indicating the repeated lines. I had a crack at writing my own, it’s an interesting challenge, it requires a singular focus of intent and, ideally, a weight of meaning in the repeated lines. I wouldn’t normally share poetry, it’s a art form I think everyone should practice and almost everyone should keep to themselves but an example, even a poor one, might be illustrative of the curious effect of so much repetition in such a small space.

Britain is world enough for me
I seek no paradise on Earth
Save refuge in antiquity
Britain is world enough for me
Bounded by cerulean sea
Though many shores have sublime worth
Britain is world enough for me
I seek no paradise on Earth

Dreams

Jul. 29th, 2020 01:03 pm
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1.

I’m at home when my trick front tooth suddenly falls out. I can feel something moving in the hole. I reach inside and pull out a long millipede that’s apparently been living in my upper jaw.

2.

I’m offered the chance to demo the next evolution of VR headsets which I am told can interface directly with the brain to create wondrous illusions. A doctor embeds a bluetooth device in my next and they plug me into the VR helmet. I see nothing, just an infinite black void. I scream and they take the helmet off. The doctor tells me that this happens to some people, their brains just refuse to interface with the illusion. They don’t know why it happens.

3.

Travelling on a bus I become aware that the man sitting opposite me looks almost exactly like Adolf Hitler, only without the moustache. He tells me he is a Hitler impersonator. I want to ask him why he doesn’t have the little moustache but feel it would be rude. We get off at the same stop and enter a bookshop together. The real Adolf Hitler is giving a reading from his new book. When he sees the impersonator he becomes enraged and beats him to death with a box full of wet concrete. The box breaks and the concrete runs out to cover the dead man’s face. Everyone in the bookshop looks embarrassed.
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I’ve been busy writing and recording podcasts this week. There’s another episode of Bela Lugosi’s Shed in the can after a slightly longer than usual interregnum caused by sudden onset despair. Thankfully that seems to have passed and I’ve made use of the blast of energy that often succeeds such moments of awfulness by recording another episode of my Fighting Fantasy podcast. That one is great fun apart from the laborious hours needed to edit the recording to make me sound like less of a cunt.

I’ve also nearly finished the first draft of an experimental short-form RPG about early Christians seeking martyrdom during the persecution of Diocletian at the end of the third century. I just really like the idea of an RPG where the aim of the game is to die. It’s got a nice collaborative approach to storytelling and I think it might be the only roleplaying game every written were you can gain a significant in game advantage by writing a tract refuting the heresy of Docetism.

Because inspiration always comes in burst I’ve also got another RPG slowly percolating to the surface inside my head. This one is called 13% Human and is about cyborg soldiers trying to hang onto their humanity as more and more of their body is replaced by mechanical upgrades. The aim is to try and do a game about war which doesn’t really have a combat system, or at least deals with the mechanics of combat in a very abstract, depersonalised way. I really like the idea of doing a series of these little games designed for small groups or one on one play where the mechanics are carefully tailored to dealing with one specific scenario with a very strong overarching theme.

Much as I’m determined to finish the two novel length projects I currently have on deck I realise more and more that what I really love creating are the small scale things. It’s the same with music, I really enjoy placing stringent limits on how I go about creating music and finding what I can create within that small space. I love writing sonnets too, although most of those will never be released into the wild. I firmly believe that everyone should try their hand at writing poetry and almost no one should share the results of their labours.
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Fairly sure I’ve just enjoyed a second bout of coronavirus. Thankfully it was just as a mild as the first time round but it necessitated twenty four hours in bed and light duties for several days following. Happily Marcus does not seem to have caught it. Since he had it badly his body hopefully churned out a whole bunch of antibodies while my immune system, cocky to a fault, has opted to take its chances. I assume I picked it up at the supermarket Where the good people of Northampton are taking a very relaxed approach to social distancing. I knew going outside was a mistake.

Another minor annoyance was finishing a story where I had a particular publication in mind and then discovering that I missed the submission window by two days. There’s other places I can shill it but I’m not particularly optimistic. The horror market for short fiction is both crowded and shrinking. I’ve got a couple of science fiction stories on the go that might turn into something saleable but I suspect my unwillingness to cleave to the current mass market style of writing will probably make them less attractive. I remind myself that Samuel Delany managed to smuggle a highly affected literary style into science fiction but then I remember he had to take a teaching job to pay the bills and he’s a much better writer than I will ever be. So it goes.
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All being well tonight I should be running a Dungeons & Dragons games for the first time in a lot of years. I used to love roleplaying, it was instrumental in my marriage after all, but it was one of those things that I let slide when we moved to Northampton. Having made zero friends in the years we’ve been here there hasn’t really been the opportunity to naturally create a group and the one time I did join a group my mental health intervened. The lockdown has prompted a few people I know to want to try playing over the internet and I agreed to act as DM.

Usually I would create a loose situation, using a home brew system cobbled together from whatever I think will work best to explore the themes of the campaign. I’d then improvise wildly, often without any notes at all. That was how I first ran games when I was playing at lunchtime with my friends at school. That allows me to tailor the content to the players and gives them a huge amount of agency to create the stories they want to create. This time however I want a little more structure and I want to reduce the mental burden on myself to free up more cognitive space for running a game where the people aren’t actually in the room. I’ve settled on playing an old school Dungeons & Dragons game and, for the first time, I’m going to be running actual modules, or at least using them as a springboard. It’s something I’ve never done before, running material someone else has written and I’m curious to see how I find it. I also want a chance to experience some of those first D&D adventures that are foundational to the hobby as well as some of the settings I remember fondly from my youth.

I’m running using the 2nd edition Advanced Dungeons & Dragons rules because that’s what I grew up with and old things are better. I’ve also created a tiresomely convoluted meta plot which will allow the players to jump between the various game worlds that are such a defining feature of that period of D&D. This will allow us to enjoy Spelljammer, Dark Sun, Ravenloft, Planescape, and the rest while still preserving a thread of an ongoing plot which essentially involves an interdimensional game show where people go on fantasy adventures in a kind of very violent version of the Crystal Maze. I’m very much looking forward to it and it’s something that wouldn’t have happened if it wasn’t for lockdown forcing everyone to live the same lifestyle as me.
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It’s been a strange way to celebrate my first Easter as a practicing Christian. There’s definitely some elements that I’m very sad to have missed out on, not least my confirmation which I have to accept may be some considerable distance away yet. It would have been lovely to observe the Easter vigil in church and I do miss the celebration of mass in a beautiful setting, particularly of course participating in the sacrament.

However it hasn’t all been bad. Our rector has been diligent about live-streaming mass each day which has meant that my day has still had a liturgical shape to it. A background in the Western occult tradition means that I’m very comfortable with the idea of worship as an individual pursuit, I’m arguably more comfortable with that than the practice of public worship. Without the distraction of other people around me I’ve been able to engage more internally with the liturgy and with the symbolic representations of the words and gestures of the celebrant. Again this is something that a background in ritual magic makes somewhat easier to manage.

The discipline of Lent has been a definite positive. I chose to give up alcohol for the duration and for the last 52 days I have, barring two lapses, remained entirely sober. It’s been tough, I do like a drink, but I’m pleased to discover that offering things up to Christ is easier for me than giving things up because it seems like a good idea. I don’t much care about myself, not in a dramatic way, I’m just moderately indifferent to the idea of my own suffering or death. This makes personal development tricky because I don’t have much of an emotional attachment to the outcomes. Lent has allowed me to take a significant break from alcohol for the first time in a while and I’m hoping that I can carry on developing a healthier relationship with booze right after I finish the giant bottle of vodka I bought to celebrate.

All things considered it’s been a very fine first Easter and I think the sense of separation between myself and the church has reminded me strongly that ceremony is only ever a means to an end, even the Eucharist. The desert fathers who innovated the role of the Christian hermit were able to find in solitude a deep personal relationship with The Divine absent the structures of liturgy which were, in case, still inchoate in the third century. All religious practices are, in essence, what Foucault termed technologies of self. They begin and end with the self but they are not purely solipsistic since technologies are, by their very nature, agents of change. They either create, promote, slow, or arrest something measurable. I think in my observance of this Easter season I can measure changes both external and internal that bring me closer to the one thing I seek above all other things; peace.
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Good news everyone! I'm back on my podcasting bullshit. Not content with co-hosting Bela Lugosi's Shde with Richard DeValmont I've struck out on my own and started a podcast about Fighting Fantasy books. It consists of me, an idiot with time on his hands, playing his way through every single Fighting Fantasy gamebook in order, starting with The Warlock of Firetop Mountain. It's called Fantastic Fights (And Where to Find Them) and it's available on apple podcasts or you can listen at https://www.hauntedphonograph.com/fantastic-fights-and-where-to-find-them/ It will be coming to other podcast providers such as google play as well. Sit back, relax, and let me transport you to a world of adventure.
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